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The Museum of Applied Arts in Vienna is home to one of the largest works on paper collections. The publication shows examples from the 18th century to the present day divided into 8 chapters. Every chapter begins with a photograph of the areas of the museum that are not open to the public, rooms where exhibits are stored and researched, arranged in various forms from collection files, boxes to individual sheets. Even the cover design makes reference to these repositories, resembling as it does an archive box. With the red edge coloring on three sides it alludes to the “hidden treasures” within
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'ethics and aesthetics are one' (Wittgenstein)
// •100 beste Plakate (D/A/CH): 2006, 2007, 2009, 2011, 2012, 2021 // •ADCD (Art Directors Club Deutschland): 2005 // •ADC*E (Art Directors Club Europe): 2013 GOLD // •adg-FAD: Laus award/ (Asociación de Directores de Arte y Diseñadores Gráficos): 2005 // •CCA (Creativ Club Austria): 2000, 2003, 2005, 2008, 2011, 2012, 2013, 2015 // •Corporate Design Preis (D/A/CH): 2000, 2001, 2002 // •CUP (Intercontinental Advertising Award): 2013 nominee // •D&AD (British Design & Art Direction Award): 2013 // •DMVÖ-columbus (Direct Marketing Award Austria): 1999, 2001 // •DNA PARIS (International Design Award): 2014 // •ED - EUROPEAN DESIGN AWARD: 2014, 2015, 2016, 2017, 2018, 2019, 2020, 2022 // •IDA-International Design Awards: 2018 // •IF-Communication Design Awards: 2004 // •Intermedium Award (ZKM): 2002 // •JBA (Joseph Binder Award): 2002, 2004, 2008, 2010, 2012, 2014, 2016, 2018, 2022 // •Plakatpreis d. Stadt Wien (Kulturplakat): 2011 // •RED DOT-Design Award: 2012 (best of the best), 2018 Winner // •Schönste Bücher Österreichs: 2014, 2017 // •TDC-NYC (Typedirectors Club New York): 2001, 2011, 2012, 2013, 2016, 2018 // •TDC-TOKYO (Typedirectors Club Tokyo): 2007, 2021, 2022 // •Trienale plagátu trnava: 2018, 2022